When this show first aired, I found both its image and description on the seasonal chart dis-interesting and skipped on watching it. This was before I was so open to trying at least one episode from most airing anime, so I had no idea what I was missing out on. It wasn’t until I became more of a fan of SHAFT—thanks to Hidamari Sketch, Bakemonogatari, Mahou Shoujo Madoka Magica, Soredemo Machi wa Mawatteiru, and Denpa Onna to Seishun Otoko—that I discovered that Arakawa was also done by the same production company. The anime was fairly well received, given its second season and positive feedback from some of my notable forum peers. So I tried it out, and fell in love after the first episode. While it adheres to many of SHAFT’s characteristics—head tilts; long, flowing hair; art not afraid to conflict and experiment—it also did a wonderful job of distancing itself from their faults as well.
Ichinomiya Kou has always lived according to the creed of his wealthy, successful family: never be in debt to anyone. But one day, under the Arakawa Bridge, his life is saved by a homeless girl named Nino. In order to pay her back, Kou promises to be her boyfriend; and thus begins his new life under the bridge. (ANN)
One of my biggest complaints about SHAFT is shown in both Bakemonogatari and Denpa Onna to Seishun Otoko, shows that I enjoyed and whose ideas I loved, but ultimately found weak in execution. They both suffer from forgettable male protagonists who are greatly overshadowed by their much more interesting surrounding cast (usually all female and mystical). The main male of Arakawa, Ichinomiya Kou, may be a scaredy cat, but we are repeatedly reminded of his leadership capabilities and common sense. He does not fear taking the lead, and once he gets over his family’s stubborn ideal of owing no debt, he is able to fit in with the rest of the riverside residents. These very same characteristics that allow him to succeed in the real world build the main fuel for this show’s humor, as they clash completely with the unique personalities of the rest of the riverside’s inhabitants. He is also a gifted businessman, who heads his very own company and commands several loyal employees, a loyalty that is often used to comedic, a.k.a. homosexual effect. The employees adore their boss and trust him despite his recent and inexplicable fascination with life under the bridge.
And while SHAFT characters on the whole are beautifully designed, they usually also perfectly capture archetypes that I’ve come to expect in most any anime, tsundere, genki, megane, etc. The characters of Arakawa are wholly unique onto themselves and do not apologize for their absurdities. As minor as some of them may be, they are each memorable and likable. The last SHAFT show I remember watching that did such a superb job of casting was in Soredemo Machi wa Mawatteiru, whose main female killed me with her array of stupid facial expressions. Unfortunately, that same anime suffered from pacing issues, which I did not find to be the case here. Arakawa Under the Bridge takes pride in its strange occupants, some of which include a man in a kappa suit, a man parading around with a star-shaped mask, a beautiful female farm animal keeper whose verbal jabs are enough to send any man to his knees, and a “Sister” who is in fact an extremely intimidating, ex-military agent dressed up in a nun’s habit. These don’t even cover our two main characters, Kou and Nino.
Another major aspect of this show I was wary of was its comedy, since my experience with Sayonara Zetsubou Sensei and Maria Holic taught me that I’m not too friendly with SHAFT’s sense of humor. While I actually thought the first season of Maria Holic was okay, I was extremely disappointed with the second season. I picked up SZS as an early anime-watcher, and so had a hard time grasping what the show was aiming to do. The over-the-top gags and confusing art style had me reeling away in confusion. SZS is definitely on my list of shows to try watching again (along with FLCL), since my initial evaluation suffers from ignorance. The comedy in Arakawa, however, feels much different from these other two. I do sense a bit of a similarity in structure with SZS, since they both revolve around specific aspects of culture. In Arakawa‘s case, the comedy results from Kou’s logical lifestyle contrasting with the bizarre everyday lives of those occupying the riverbed. And yet, upon further interaction with each of the characters, we learn that they are not wholly unfamiliar with the outside world, and that some of them have in fact chosen to remain apart from it for understandable reasons (ie: Last Samurai).
SHAFT’s slice-of-life, Hidamari Sketch, is a general feel-good type of show, with its use of soft pastels, adorable visuals, and endearing characters. And though Arakawa takes a very different approach on almost each one of those aspects, it still achieves a sense of “happy” fulfillment for the viewer. Like with HS, I found myself grinning after each episode and bouncing on my feet for several hours. As cheesy as this may sound, they share a joy in life that is hard to dislike. HS ran for three seasons, and is slotted for a fourth, while Arakawa has a second season (which is next on my list). I can only hope that I am just as satisfied with further installments of Arakawa.
And my favorite character as of now? That would be Maria, with her irresistible, pudgy-faced sadism.
8 thoughts on “(Review) Arakawa Under the Bridge”
YESSS MARIA IS CLEARLY THE BEST CHARACTER!!!! I’m glad someone else thinks so,
Haha, yes, though I’m wondering how much my opinion will change after watching the 2nd season.
Arakawa was also a very fun show to me. Quite funny but instead of focusing only in the comedy it also has some nice development going around. And while their crazy behavior is funny, many characters at least are hinted to have some deep reasons for end up as their did.
I’m surprised you didn’t mention the romance! While it only have a few scenes and a few moments with developments, they were welld done to me and often totally sweet! Nino can be so adorable, and Kou when it comes to romance can even be cute! Very heartwarming in that aspect.
While I praised it a lot, my score for it wasn’t as good as yours (I gave it an 8). Somehow it had some high moments earlier on but later wasn’t as good for me. Something else that may have influenced my enjoyment is because very soon I got very interested on what is behind those crazy characters, but the story hints a lot but don’t deliver much in that aspect.
Like you there is some shaft shows I enjoyed tremendous. Usually a show being done by then makes me want to try, but also makes me do so with a foot behind. Once when I was discussing with a friend, he made a good point regarding shaft which I agreed and see as a minus point from them. Shaft has a characteristic style which tend to show a lot on shows from it. Which makes all their shows feels like shaft. If you like their style a lot I guess this may be a plus point. But also can be negative in two ways. One is that it can make two shows that are very different still feels a bit repetitive because they both have their style in common (those head tilts… they make me irk sometimes). And another is that when they’re doing adaptations, they overwrite the original story style with their own, so the story doesn’t feels much like the original (which can be bad for a fan of it).
On a side note, you didn’t like Araragi? I like his character a lot, sometimes very funny and s0ometimes so awesome!
Well, I didn’t discuss the romance aspect because while I do enjoy it, I didn’t want to make my entry too long for readers. I adore the simple attraction between Nino and Kou, and look forward to seeing how it develops in the 2nd season. I do have to agree with you though that I found the start a bit slow, especially the first episode. It’s definitely a show you have to try a few more episodes on before it grabs you.
And it’s not that I don’t like Araragi; I just find him kind of stereotypical and he fades into the background compared to some of his more interesting counterparts, like Hitagi and Hanekawa.
Arakawa is a great show and the humor really clicked with me (man-eating Hoshi? Check). I thought that it couldn’t really decide whether it should focus on the comedy or the plot/romance, which is simply the only thing that dragged down my score. And the romance was a big plus, since it felt so honest with itself, never trying to hide it. I loved the crazy date they had when walking down the river.
Unfortunately, the second season was a huge letdown for me. It was basically all comedy, which was either bad, or had grown old on me. The romance aspect was completely wiped out and the thing you could call a plot is never realized and completely left out. Such a shame.
Also, Araragi’s hair ❤
Why thank you, Marow! Thanks also for the information about the second season; knowing that it’s mostly comedy and not much romance helps a lot with the mindset I’ll have going into it. I love the humor, so that won’t be a problem. I laughed so loud when Hoshi’s head looked like a crazy, hungry monster :p
Right on my list to watch after I finish Soredemo. I heard good things about it, so hope it holds true, since I will be viewing it next week. Nice review to reinforce that feeling ^^
You’ll definitely have to also let me know what you think of this and of Soredemo, since I really enjoy both.