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“Clover 3” by Vibe Mountain
Dororo OP Theme #2: “Dororo” by ASIAN KUNG-FU GENERATION
Never fear, Marina is here with the start of her summer reviews! I may have skipped out on my usual set menu at the start of the season, but there’s no way I was going to miss out on my final thoughts for the surviving shows on my list. As a whole, I found this summer season a bit lackluster in content, but there were still a few shining exceptions to keep me going until the fall. Included here are a couple of surprises, one disappointment, and a reliable win of a show. Let me know what you thought of these series!
Don’t judge me; this has been a very busy year so far! I finished these shows quite a while go, but never got around to reviewing them thanks to the bulk of new summer shows and a whole lot of real life stuff. But here I am now, and only one series short of my expected spring season wrap. Tokyo Ghoul:re will have to wait for a rainy day.
As much as I enjoyed all of these shows to varying degrees—they were all interesting, never boring—I felt only one of them truly pushed past mediocrity into leaving a lasting impression.
The spring reviews continue on a slow, but steady, roll, and this time with three surprising finds of the season that one of my overall favorites. If there’s one take away I must impart, it’s to please, please try Yotsuiro Biyori if you have not already. If you do try the other two, well, that’s just extra yummy icing!
This time around, we have a few comedies of the silly fluff, historical drama, and romantic variety. This may sound all over the place, but they each succeeded in their own ways in relaying their personalities to me over the course of the season.
Can anyone even think of another spring season in recent memory as strong as this one? Spring 2018 will likely be a season to remember for years to come as providing a strong line-up of originals and continuations, and that’s even after a winter season almost as golden in content.
Today, we start with three endearing anime with a knack for combining comedy and drama. Buckle up—this is only the beginning of a long run of reviews!
You may have noticed a red panda gracing social media lately, sometimes with her generic, cute smile, and frequently mimicking a death metal scream. Retsuko is the latest Sanrio mascot who rose to popularity thanks to two animated series and her intense relatability among adult viewers. It wasn’t until I saw several fans on Twitter singing Aggretsuko praises that I went to see what the hype was all about. Trust me, this a show you need to watch.
Bungo Stray Dogs: Dead Apple is a side story film to a television series of the same name with two seasons under its belt. Characters and events over the course of both series are drawn upon heavily for the movie, which takes place in a re-imagined Yokohama where a small percentage of the population wields supernatural powers. A more unique aspect of the world is the literary spin on its cast, all of whom share names with literary figures from writers to poets. While some of their gifts draw inspiration from their character roles as authors, detectives, and the like, others seem to enjoy no connection. Whether or not you are familiar with the character models of these names, the story and style of BSD encourages you to partake in their adventures of crime and mystery.
Alluring, intoxicating, hypnotic, and quite possibly fatal, Fujiko Mine is a woman who defies definition and explanation. This makes it doubly important to experience her “story” outside of the constraints of the main Lupin series, where her place and purpose are determined by those around her rather than by any tale of her own. The masterful storytelling is propped up by a precise, yet rough, art style, as well as by the jazz music that pulses through your veins from start to finish. Everything about The Woman Called Fujiko Mine exudes a cool style that perfectly presents us its namesake.