I didn’t actually enjoy watching Girlish Number this past fall, but I just had to include the show among my twelve moments of 2016 due to the impact it had on me as a viewer and anime fan. Many people have described it as a sort of antithesis to Shirobako, a P.A. Works series that for the most part positively portrays the anime industry. There are some trials that the characters go through, as well as some less than ideal coworkers, but the tone for the majority of the show was one of optimism. Diomedia’s Girlish Number enters with the point of a view of a fledgling voice actress and proceeds to reveal an uglier side of the industry where voices are chosen not for their skill and dedication, but for the girls’ names and looks as they would pertain to public appearances aimed at one thing: the customer’s wallet. It’s an interesting dilemma for the anime viewer; while on one hand I would prefer they maintain the integrity of the writer’s story by choosing quality over quantity, I also admittedly enjoy public events featuring bubbly and attractive staff. But the bottom line is that I honestly do not care what someone looks like as much as I care that they are the best in what they do.
This year’s 12 Days of Anime starts with my favorite world, the music of which accompanied my walk down the aisle (I think only one guest recognized the song). While I watched the last episode of Aria the Avvenire back in June, I never got around to talking about the finale of the three-part special since there was work and all the wedding craziness zapping away my willpower to do anything else. Now that both are out of the way (yes, both!) and I can finally focus on blogging, writing, and cooking, we return to Aqua.
It’s that time of year again where we anime fans from blogs, Twitter, YouTube, and more hearken back over the past year to twelve memorable moments in anime. For more details about this year’s 12 Days of Anime, check out this post from appropriant, or this video from Bibi’s World.
This will be my third year participating, and my first time actually writing these ahead of time and scheduling them to publish each of the twelve days leading up to Christmas. The reason for the careful planning has nothing to do with me turning over a new leaf–I’ll finally be on my honeymoon and out of touch for three weeks over Christmas and New Year’s in New Zealand and Queensland, Australia. Rest assured that I will read every single comment and respond as soon as I get back.
Tune in starting tomorrow for my 12 moments of 2016!
Superheroes have been a hot topic for several years now, from the U.S.’s several comics turned films, to the various superhero anime series in recent seasons. For the most part, they’ve all been predictable in format and body, and based off of One Punch Man’s promotional artwork, I assumed it, too, would follow suit. The first episode very quickly proved the OPM would be a conversation starter for weeks to come.
My last of the three Secret Santa recommendations, Omoide no Marnie (or, When Marnie Was There) is a Studio Ghibli film detailing the story of a young girl who leaves the city for the country and stumbles across a very special mansion. Directed by Yonebayashi Hiromasa, who also directed the lovely Karigurashi no Arietti, Marnie has a distinctly melancholic air. The protagonist’s ever expressionless face and the still waters that surround the Marsh House smother the viewer. When it seems like the somber atmosphere might spread, we are instead refreshed by the brightness of the Oiwa family and magical encounters with Marnie. Like Anna, we are tossed back and forth between reality and the inexplicable, with each trade resulting in livelier and more colorful reactions.
“The present will always be different from the past. That’s what makes life good and at the same time sad. That sadness in turn gives our everyday life some flavor. Just like coffee.” -Yaobi Kunio
“How bitter! Milk, please!” -Kitashirakawa Tamako
As much as I adored the television series, Tamako Market, I could not deny the many flaws the show maintained to the end: Dera and the royals, the stagnant relationship between Tamako and Mochizou, and the death of Tamako’s mother. The main attraction of the show was the daily life of Tamako and her friends in and around her neighborhood market, yet the other three factors kept popping up fighting for attention. The most out of place of them all was Dera, the single supernatural addition to TM. Tamako Love Story removes the magic and focuses in on the two aspects I care most about–the love, and the future.
The audition: terrifying, exhilarating, and honest. You face the judges, but most of all, you face yourself–your progress and shortcomings. Most musicians undergo countless number of auditions. I auditioned in high school, several times in college, and in competition. In Hibike! Euphonium, Reina and Kaori must audition for the solo part for their band’s competition performance. The first trial is closed, with student and instructor alone behind the door. With the rumors that crop up after Reina’s win, a second trial is then held on stage before the entire group.
For the first year, Anime B&B is participating in Reverse Thieves’ Anime Secret Santa project. Traditionally, each participant receives another member’s name, Twitter/blog link, and full anime list, and must recommend three different single-cours shows, specials, or movies to be watched and reviewed by Christmas Eve. Once you receive your own Secret Santa picks, you must watch at least one of them—you need not apply yourself to all three. Then when Christmas Day rolls around, you find out the name of your Santa.
My gifts this year were all wonderful choices, and particularly well thought out due to my already heavy schedule. The only series was a short twelve episodes, while the other two were movies. All were works I had already had my eyes on, but for some reason or another had not yet begun. Given my attraction to all three and the ease of adding them into my line-up, I’ll be reviewing each of them in separate posts.
If you’re any sort of regular reader of a variety of anime blogs, you’ll have no doubt seen Shirobako, specifically this scene, on other 12 Days lists. Miyamori Aoi’s front row seat to the advancing seiyuu career of her close friend, Sakaki Shizuka, had both her and I in joyful tears.
Only the second of Matsumoto Rie’s head director series, Kekkai Sensen (or Blood Blockade Battlefront) danced onto the stage with flair. The setting, style, script, and music all contributed to an alluring world between life and hell. Of the many episodic stories told in this too-short series, the one featuring the unexpected friendship between Leo and Nej over a mutual love for Jack & Rocket’s hamburger stayed with me the most.