Winter 2015 Set Menu

We’re about three weeks into the 2015 winter season, and I’m still undecided on quite a few shows. I thought I wouldn’t be adding in too many this time around since the line-up didn’t impress me at a glance, but I’ve got a surprising amount clinging on to my continuations from the fall. I’ve broken my shows into three categories: watching, undecided, and ongoing. Fuller thoughts on new shows are given first, with quick summaries of my feelings on the shows still airing from previous seasons following at the end. Let me know what you think is missing from my list (any why) and I’ll give it a try!

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Fall 2011 Season Wrap (complete with balloons and fireworks!)

Since I originally planned on having this out earlier, I thought I’d have a separate, very short post wishing everyone a Happy New Year.  Buuuuuut, thanks to my recent infatuation with Korean dramas, finishing up the fall anime became less of a priority.  Although it took a bit longer than anticipated, here are my quick final impressions of the fall season.  Happy 2012, everyone!

あけましておめでとう!

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Initial Impressions: The IDOLM@STER, Baka to Test 2, Itsuka Tenma, Nekogami Yaoyorozu

The IDOLM@STER: On hold
Though I’ve never played the XBOX360 game, this episode gave me a taste of what it would seemingly be like.  In a unique narrative style, we follow twelve idols-in-training, viewing them through the eyes of the interviewer and his camera.  His questions are not audible to us, but appear as text across the screen–questions to which the girls answer while looking straight at the camera.  I was initially put off by the point of view, but slowly grew to enjoy it; however, with the revelation of the cameraman as the new, incoming producer, I don’t know if the 1st-person view will be used again.  The IDOLM@STER has the feel of a harem, with its colorful assortment of young, female idols and fresh-out-training, male producer.  The only difference in this case is that instead of the girl being chosen as the accompaniment to the male lead, the male must help the female lead find the spotlight.

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